Get It All Out - Wordless Version (Play Loud)

by Stick Against Stone Orchestra

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Twelve tracks so powerful, we decided to put out an instrumental mix of the whole GET IT ALL OUT album. Nothing between you and the groove - just music mainlining. This is the revealed truth of Stick Against Stone, performed by the SASO. The depth and density of the mix surfaces to your ears in ways a vocal version never could. We're super proud of all these songs, but have to call attention to the dance-punk-funk of the title track GET IT ALL OUT for its 4 on the floor drum groove, "slap-a-dah" bass bounce, "rock the bells" top end, monster keyboard melody hook and dueling post-punk rhythm guitars that take the spirit of Fela and Talking Heads to a very deep and hypnotic place. TURN IT UP!


released May 6, 2016

Music & Lyrics:
Tracks 1, 2, 3, 5, 7, 8, 10:
© Creighton, Duer, Laugelli, Murray, Sullivan, Vitale, Wenzel
Track 4
@ Duer, Vitale, Oliver
Tracks 6, 9, 11, 12
© Creighton, Soule, Gallagher, Murray, Thomas-Freeman, Sullivan, Vitale

David Terhune – Guitars
Tomek Miernowski - Guitars
Denny McDermott - Drums
Tony Mason - Drums
Jesse Krakow – Bass
Ben Rubin - Bass
Ken Rich - Bass
Geraldine Murray - Clarinet
Chuck Sullivan - Bells, Shakers
Joe McGinty - Piano, Keyboards, Melodica
Dan Lipsitz – Alto Saxophone, Melodica
Bob Wenzel – Tenor Saxophone & Baritone Saxophone
Paula Henderson – Baritone Saxophone
Miki Hirose - Trumpet
Yusuke Yamamoto – Percussion
Ivy Rhee - Cello

Recorded and Mixed at

Grand Street Recording, Williamsburg, Brooklyn, NY -
June 2011-March 2012
(Engineer - Ken Rich)

Edit Engineer – Felix Hoo, Singapore – December 2011

Additional recording at:

Axis Studios, Hells Kitchen, New York City - August 14th, 2009
(Engineer- Steve Rossiter)

Carousel Studio, Greenpoint, Brooklyn, NY – October 2011
(Engineer - Joe McGinty)

Secret Society Studios, Portland, OR – December 2012
(Engineer – Jordan Leff)



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Stick Against Stone Brooklyn, New York

Stick Against Stone is a funk-injected post-punk/no wave band from Pittsburgh, PA that resided in Pittsburgh; Brooklyn, New York; Eugene, Oregon and San Francisco and remained active (in no less than six incarnations) between 1980 and 1990. The band incorporated elements of no wave, world music, free jazz, reggae, avant-funk, rap, spoken word, ska, dub, African, and art-rock into their music. ... more

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